A pipeline, not a prompt
Your website, as a video.
Paste your address. We read your pages, write the voiceover for you to approve, then assemble the film from parts chosen for it: a narrator you picked, footage that was really shot, your palette, your logo, captions cut to the recorded word. Not one model guessing at a video, and you never open an editor.
Two free videos while we are in beta. No card, nothing to cancel.
Our own film is coming, and we are making it with this.
The work
One site. Five videos.
Every frame below came from one company's pages and a number in the length box. The film at the top of this page is one of them. Nothing was shot, nobody wrote a brief, and each script was approved before a frame was rendered.
How it works
A pipeline, not a prompt.
Three steps for you, six stages for us. Every stage picks from real parts: a tone out of ten, a narrator out of five per language, footage chosen for the beat it plays under. And the order matters more than it looks, because everything expensive happens after you have read the words.
- We read up to eight of your pages: your site, your public repository, or your own documents.
- The script comes back, in a tone you chose from ten.
- You read it. Change a line and it comes back changed. Say go and the rest runs.
- The voice, from five narrators per language.
- The pictures: licensed footage, your own pages recorded, your palette, your logo.
- The sound: three music beds, seven effects, mixed under the narration.
- The cut, every edit landed on the recorded word.
- Your MP4, at the shape you picked, no watermark.
Step one
We read the site
Up to eight of your pages, not just the homepage. We take the angle that actually sells, the strongest number you publish, your palette and your logo. Whatever is public: we cannot sign in to your product.
No website yet? A public repository works the same way, and so do your own documents: up to ten of them, pasted or dropped in.
Step two
You approve the script
The exact words the voice will say, in order, with their timings, and beside each one what it becomes on screen. Change any line. Nothing is recorded and nothing is rendered until you say go.
This is the step other tools skip, and it is why their output gets made and then quietly not used. It costs you a minute and it is the only minute the video needs from you.
Step three
We cut it to the voice
The narration is recorded first, then aligned, so every cut lands on the word it belongs to rather than near it.
Footage, typography, counters, your logo on every frame, captions burned in, and an MP4 at the end of it.
The deliverable
What is actually in the film.
Six stages, twenty one lines, one sentence each. A capability that needs a paragraph is a feature nobody asked for.
Stage 1The script4
- The angle, taken from up to eight of your own pages rather than a brief you had to write.
- A tone you choose from ten, and it reaches the writing and the read, not just the wording.
- Wording timed to the length you asked for, not padded out to fill it.
- Your edit is the final wording, word for word.
Stage 2The voice3
- A narrator recorded for this video, not a text reader stitched together per sentence.
- Five voices per language, each with a sample you can play before you commit.
- English, French, Spanish or German, and the page names the accent each speaker has.
Stage 3The pictures5
- Licensed stock footage picked per beat, under type set in the palette read off your site.
- Motion graphics: typography, counters, diagrams and device frames, authored for the script.
- Your own pages recorded in a browser, when the product is the argument.
- Scenes of an interface being used, clicked and typed, labelled from what your site publishes rather than invented wholesale.
- Your logo top left for the whole video and full size on the closing card, when your site publishes one.
Stage 4The sound3
- A music bed under the voice, three to choose from, on a dial that goes down to nothing.
- Seven sound effects, laid on the finished file at the moments the composition asked for.
- Bed and effects mixed to sit behind the narration rather than compete with it.
Stage 5The cut3
- Cuts landed on the recorded voice by forced alignment rather than by eye.
- Captions burned in, because most of a feed watches on mute.
- A closing card carrying your call to action.
Stage 6The delivery3
- An MP4 at the shape you picked: landscape for a site or a deck, vertical for Reels, Shorts and Stories, or square for a feed. No watermark.
- A download link good for a day; the video stays in your account after it expires.
- Another length or another language starts from a new script, written for it, and your site is already read.
Rates
A studio that publishes its prices.
Ask five production companies what a sixty second film costs and you get five calls. Here is the number, and publishing it at all is the unusual part.
| Plan | Price | What it covers | Start |
|---|---|---|---|
| Today, in beta | Free | Two videos per account, in total rather than per day, up to two minutes each, kept for seven days. No card, no checkout to get past. This is what runs. | Start |
| Per video | 10 € / video | One video, any length up to two minutes. When billing opens. | Start |
| Studio | 20 € / month | 20 videos a month, one euro each. Up to five minutes, kept indefinitely, your own music and footage, and House Style. Planned, once billing exists. | Start |
| Studio Plus | 50 € / month | 100 videos a month, fifty cents each. Everything in Studio. Planned, once billing exists. | Start |
| Enterprise | Talk | Unmetered, white label, your own voices, API access, an SLA and a named contact. |
Said plainly: there is no checkout yet, and what runs today is the free beta in the first row: two videos per account, once, not two a day. The prices below it are what they will cost when billing opens, and the monthly caps will then be per calendar month with nothing rolling over.
Questions
Asked first, every time.
Is this a text to video generator?
No, and the difference is the whole product. A single model asked for a video invents thirty seconds of plausible nothing: hands that drift, type nobody can read, a claim you never made. This is a pipeline of six stages, and each one chooses real parts for your brief. The words come from your own pages and you approve them. The voice is a narrator you picked, recorded once for this script. The pictures are licensed footage, your recorded pages, and graphics authored to the lines. The cut is aligned to the recorded voice. No frame is a model's impression of what your product might look like, and nothing is rendered before you have read what it will say.
What do I get?
One MP4, at the shape you picked, with a recorded voiceover, licensed footage picked per beat, motion graphics in the palette read off your site, burned-in captions, and your logo on the closing card when your site publishes one. No watermark and nothing to assemble.
How long does it take?
The script comes back in under a minute. After you approve it the app renders, and shows you its own estimate of the wait while it works.
Do I have to write anything?
No. We read your pages and propose the angle and the wording. You read it, change what you want, and only then is anything recorded.
What if I have no website yet?
Give us a public repository or paste a document: a brief, an announcement, release notes.
Can I change how it sounds?
Three places, and all three before anything is recorded. The tone, which is one of ten and reaches the writing as well as the read. The narrator, from five voices per language. And the music bed, which sits on a dial you can turn down to nothing.
What does paying get me?
Four things, and none of them is a watermark coming off. Videos go up to five minutes instead of two. They are kept indefinitely instead of for seven days. You can use your own music bed and your own footage instead of our catalogue and stock. And House Style turns on: what worked on your last videos is read before we write the next one: the tone you kept choosing, the angles you have already had, whether you rewrote what we wrote.
Can I use it commercially?
Yes. Landing page, ad account, feed, client deliverable. The stock footage is licensed for that use and there is no watermark.
Kali
Ask her, or hand her a problem.
Kali directs the films. She also answers questions, takes a bug report, and books fifteen minutes with a person. She answers from this page first, word for word; when the page does not cover it she answers from a written brief of what this product actually does, and she is not allowed past it. After three questions she stops and puts you in front of a human, because by then that is the better answer.
What you ask her and what she answers is kept, because the questions this page cannot answer are the list of things it should say and does not. Bug reports go to us with the page, the window size and the browser string attached. A demo request still opens your own mail client, addressed and filled in, and you press send.
Your turn